In the past, Weird Al’s timing was perhaps his greatest asset. Right when the culture seemed to be tiring of a particular song or artist, the Weird Al parody would appear. It was the sign of an artist reaching “we love you, but we also can’t stand you” stardom. But that timing now seems rather, well, sluggish, and this has caused Weird Al to drift back into a crowded field. Now that the release of Mandatory Fun completes Yankovic’s record contract, it seems wise to explore more expedient alternatives.
When I asked Yankovic if it still made sense for him to make albums in the future, he was eager to steer the conversation back to the record he had already made and was trying to promote. But in spite of the hemming and hawing, he was pretty clear about what’s next.
“I don’t want to draw any hard lines in the sand, because I’d like to leave all my options open, but I’m feeling like this is probably my last conventional album,” he said.
I think it was Richard Nixon who said “if you’ve lost Weird Al, you’ve lost the traditional music sales model.”